Essay Poem Analysis: Medusa by Carol Ann Duffy. Medusa by Carol Ann Duffy The poem Medusa explores the theme of jealousy and anger; the poet illustrates this using the extended metaphor of a Greek mythological creature Medusa, whose story describes her as a beautiful maiden that is turned into a hideous creature after being raped by Poseidon. Essays on Hour By Carol Ann Duffy. Hour By Carol Ann Duffy Search. Search Results. Short Analysis Of Carol Ann Duffy Poem This poem focuses on this ubiquitous ‘weed’ as a means of examining wider issues about parenting and the conflicts involved. For the poem . Carol ann duffy hour poem analysis essays. 5 stars based on reviews helpmyessay.pw Essay. Coco chanel little black dress essay help libro de abdias analysis essay insensibility essay writer essay wettbewerb berkenkamp stiftung gewinner eurovision essay on raksha bandhan in punjabi language. Essay . Essays for Carol Ann Duffy: Poems. Carol Ann Duffy: Poems essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of the poetry of Carol Ann Duffy. A Comparison of Before You Were Mine and Pluto; Men, Women, and Representation in Duffy's ‘The Worlds Wife’. Analysis of Carol Ann Duffy's Poem, Mrs. Midas - Written by the British poet laureate, Carol Ann Duffy, “Mrs Midas” is one of the entries in her poetry anthology The World’s Wife. All entries in The World’s Wife satirise a foible of man’s nature, through the .
Carol Ann Duffy never reveals the gender of either the narrator of the poem, nor their partner. Could this ambiguity mirror her own sexual orientation, or does she leave it this way so it is relatable to more people?
She falls back on the comparisons between emotional and physical wealth throughout the poem. The suggestion being that you cannot be more rich then when you are spending time with the person you love.
Time is a key factor in this poem, perhaps unsurprisingly given the title.
A Critical Analysis of Carol Ann Duffy’s Essay
The key message is that time is the enemy of love. This is a theme that has been covered by many poets, including Shakespeare himself. In the modern world I think this idea of time with loved ones is even more preveleant than ever. How many hours do we spend looking at our mobile phones or tablets when we could be basking in the riches of time with the people we love?
Hour by Carol Ann Duffy
That is the point Duffy drives home with this poem, which can be read in full here. It takes the form of a Shakespearean sonnet. It has the rhyming scheme a-b-a-b-c-d-c-d-e-f-e-f-g-g. Being as it is a sonnet it only contains one stanza, although sometimes sonnets are broken down into 3 or 4 stanzas.
Time being the enemy of love is not an uncommon theme in stories and poetry alike and perhaps that is why Duffy chose this very traditional poetic form for this poem. Line by line Breakdown Line 1 This first line suggests, right from the start, that time is the enemy of love.
Throughout the poem you will see allusions to wealth. These words are used purposefully to emphasise the value of love. Line 3 Here Duffy addresses the reader her partner directly. She talks of spending time with them. Line 4 I think here, rather than describing a specific event, she is describing a typical moment with her partner in order to make a point about values.
She is intimating that rolling around in a ditch is worth more than flowers and wine. Line 5 It is interesting that Duffy breaks down time into such a small denominator to make it sound more grandiose. Thousands of seconds somehow sounds longer than hundreds of minutes. Midas was a king in Greek mythology who was renowned for the stories of how everything he touched turned to gold. She also wrote a poem called Medusa and is well-known for writing poems based on literature and mythology.
Line 8 The narrator uses millionaires to once again explain the wealth in love. Backhanding the night is an interesting phrase here. One associates the night with darkness and negative emotions and the light with positives.
Backhanding the night gives an image of defiantly slapping negativity, ostensibly through the power of love and light. Line 10 cuckoo spit is not something that you would usually consider to be nice.
So to say that this no jewel could hold a candle to it seems absurd. That is until we move to the next line. Line 11 Here we understand the previous line. The cuckoo spit is held so highly as it is close to the narrators loved one.
Once again highlighting how time with them is the most valuable thing they could have. Line 12 Once again the natural, unspoiled, version of the partner is heralded over the wealthy alternative.
This time the light is used to make the point. Line 13 The word now is a sentence on its own and this is the only example of a short sentence in the entire poem. This is used to highlight the importance of it. It gives it a profundity. All of these comparisons the narrator has been making are how they are feeling right now, in the moment. They do not concern themselves with dwelling on the past, or worrying about the future they are solely focused on the present, the now.
What follows cements the entire point of the poem that time is the enemy of love: Line 14 but love spins gold, gold, gold from straw. Here the narrator is suggesting that love has a transformative power.
That it can take the mundane and make it worth more than precious materials, note the tricolon being used for emphasis. Spinning gold from straw is a reference to the fairytale character Rumpelstiltskin and is a further example of drawing a comparison between what a person would perceive to be wealth and what is actually valuable.
She tends to write poems in the form of monologues that address the reader directly, giving her poetry an intimate and engaging feel.
She usually writes poems that are dark in nature and deal with people with complex characters that feel disenfranchised from society, outsiders if you will, however this poem is an exception to that rule. Her poetry is very popular and frequency studied in British schools and colleges.